I’ve been feeling a little down lately, partly about my crummy job and partly around the issue of self-worth.
Sorry to anyone who reads here and is tired of my more-and-more frequent whining. I love to laugh and have fun, but I haven’t been doing as much of that as I want. So here’s what I’m going to try:
I’m going to have hope. I’m going to hope that none of my selfish coworkers pull any annoying stunts that will make my job harder. I’m going to hope that my latest (and most obnoxious) boss moves on soon, leaving Upper Management chastened about their hiring practices, and looking for someone with more insight and compassion. In fact, I’m going to expect these things, which would be just the opposite of what I have been expecting lately.
Furthermore, I’m going to hope and expect that I will somehow find more time for playing music, and that I figure out how to hook up with like-minded musicians to play with. I’ll be hoping and expecting that the creative ideas I have inside me will pop out when I need them, when I’m stuck for a line or a rhyme, when I’m jamming and I don’t know where to go.
I’ll also be hoping and expecting that I’ll find a new day job pretty soon, something moderately satisfying and arguably ethical. I think I’ve been bringing myself down by expecting the worst every day. I don’t expect to fly like Peter Pan by thinking good thoughts, but maybe if I focus more on what could go right, I’ll be able to smile more each day.
I may not have much faith, but I can always hope, and maybe if I start the day expecting better things, I’ll even get to laugh and have a little fun.
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On a more somber note, can we all stop talking about “surging” the troops in Iraq? This is just another cheesy White House euphemism meant to conceal what’s really happening. During the Viet Nam conflict, they called it “escalation.” Maybe if we called it what it is, we could talk about it more intelligently. It is sending more troops to battle. Period. The lesson of Viet Nam was not that you have to win or the world will fall apart. The lesson of Viet Nam is that determined and dedicated locals can beat you no matter how much power you think you have.
The experts, and the President is not one of them, agree that more troops would simply be more targets. There is a civil war going on there now. Nobody is neutral. The locals are not “seeking a political solution.” Anyone you meet on the street is in one camp or the other, and our soldiers are in the middle. Our government has been dishonorable, and now we are not trusted. Everyone wants us to leave, and they will shoot at us until we do. Sending more troops to battle will only prolong the agony. Maybe President Bush wants to do just that: string the stalemate out until he leaves office, and let the next president extricate us. The voters clearly don’t want to do it this way. They have seen that this war is a monumental mistake, and they want out, now.
Will we kill a million people and spend a trillion dollars so that Bush can feel good about himself?



out making the biggest ruckus they can, and it is a hell of a ruckus, with yelling and singing and rockets and probably even small arms fire. But when I look into the sky I know I’m looking back through time, starlight from ages past coming to touch me from the endless void beyond our tiny spinning rock, and all the noise we can make; all the rockets we shoot; all the laughter and tears; the triumphs and hurt and all the self-conscious celebration, it all seems quaint, and sweet, and touching.

the premises. There was no music. There were no decorations. We didn’t have Secret Santas. There was no indication that we were celebrating anything, or observing any ancient tradition.
sap, and I guess this proves it. Until a few years ago, this movie was almost in the public domain, and as a result every local television station in the country had a beat up, dog-eared copy which they ran forty or fifty times every December. In a big market like LA you could catch it any time you wanted, twenty-four hours a day during the whole holiday season. I viewed most of these showings. Gradually it became a “classic,” even though it wasn’t well-regarded when it was released in 1946.
I don’t know for sure when I became aware of “It’s A Wonderful Life,” but it feels as if I have literally grown up with it. The life of George Bailey is so touching and there are so many indelible scenes in the film that I sometimes lose track if it’s a movie or a rerun of my own life. Sure it’s hokey, and I love the hokey-ness. I know it’s over the top and manipulative, but for a couple of hours each year I give up my heart, suspend my sophisticated disbelief and go along for the sweet, sweet ride.
I refer you to Jimmy Reed, who recorded this Al Smith/Willie Dixon composition 46 years ago. Click the little blue button 