The New Look

Hope you like the new look of revision99.

I’ve changed to the “Elegant Grunge” template by Michael Tyson. A few days ago I updated my platform to the very latest version of WordPress (version 2.8.4), and became painfully aware that my old template — “Letterhead” by Robin Hastings — was simply too outdated to continue using. The WordPress community works tirelessly and endlessly to improve the platform, and those generous souls who develop and release templates for all of us non-coders to use sometimes get left behind. I loved the Letterhead template. It was clean and simple and easy to read. But the features that have been incorporated into the new WordPress are just not usable in the older templates, and most of us bloggers have neither the time nor the knowledge to update them ourselves.

So now I have this new look.

It will probably require some tweaking to get it working the way I want. The first thing I have to do is make this text black. The default color is some hip grayish color that probably pleases the designer’s eye, but, really, it’s a little hard to read, don’t you think? There will be other changes I will have to make, and they will come slowly since I will be figuring out how to edit the template as I go. So please bear with me, and also let me know if you find stuff in revision99 that is broken or doesn’t display correctly on your screen.

Thanks!

UPDATE: Text is now black. Woohoo.
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Math Problem

Put on your thinking caps, katz’n’kittenz. Here comes a word problem!
[UPDATE: My solution appears in the comments below.]

Molly the Cat and Tigger live here in our house. They each came to live with us at different times, and of their own choosing. Those could be long stories, one of which I’ve already told here, so I’ll skip ahead to the math problem.

Molly the CatTigger

No sooner had they moved in than they started asking for food. Regular meals, and they were quite insistent about it. Being the good ex-hippies that we are, we took it upon ourselves to provide not just a tasty menu, but also excellent nutrition. It took a while, but we finally found a brand of canned food that they liked and that we thought was good for them, and no less than three brands of dry food (hereafter called “crunchies”).

Tigger is a boy, and a little bigger than Molly, and over time we figured out that he needed more food than Molly. No doubt he thought we were hopelessly stupid during the months it took us to come to this realization, but eventually we did, and here is how the daily diet eventually took shape: Breakfast is at 7:00 AM and dinner (“supper” to you Eastern seaboarders) is at 6:00 PM. At each seating, Molly gets one fifth of a can and Tigger gets one fourth of a can. Throughout the day and in the evenings both of them get all the crunchies they want. To make it easier to measure the fractions of cans, each critter eats only from his or her own can until it is empty, then moves on to the next can in the cupboard. So it takes four meals (or two days) for Tigger to empty his can, and five meals (or two and a half days) for Molly to do the same.

You wouldn’t think that both cans would be empty at the same time very often, would you? You’d be right. But for a long time I have had the feeling that that event (two cans empty at the same time — two fresh cans opened for the same meal) was happening a little too often. For about a year, I had that feeling. Somebody — either me or Mrs. Jones — was screwing up the measurements at feeding time. To be fair, it’s pretty hard to eyeball a fifth of a can, and both of us may have muffed it from time to time.

Last night we figured out exactly how often this should happen. I’m embarrassed to say that it took two college graduates a half hour to come up with the definitive answer, and even now we don’t understand it mathematically. How fast can you solve the problem?

Start with two full cans. Give Molly a fifth of her can at each meal, and Tigger a fourth of his can at each meal. Put plastic caps on them and refrigerate between meals. Whenever a can is empty, open a new one. How many days before you find yourself opening two new cans at the same time?

Go ahead and tell me the answer in the comments, if you can. We figured it out basically by running a model scenario all the way to the end, but there is also a mathematical formula that is much more elegant and sophisticated. Except I can’t figure it out and explain the “why” of it. So help me with that, too.

My answer will be posted soon.

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Moving Experience

I can’t believe I have all this stuff.

There was a time when owning all of it was just a dream. Now I am standing in my patio at three in the morning, and here it all is, staged between the garage and the house, waiting to be carried inside: A sweet all-tube Fender guitar amplifier, two fancy-assed electric guitars, a rack full of electronics, a couple of duffel bags full of electronic gizmos, miscellaneous adapters, microphones and cables. I lusted after most of this stuff the way some men pursue women, and now it’s just heavy equipment that I have to carry in the middle of the night, and put it somewhere secure, if such a place exists.

I had packed it up and loaded it earlier in the afternoon, hauled it to the bar where I was playing, unloaded it there, unpacked and set it up. Later, we broke it all down, packed it up again, loaded the cars, the truck and the van and brought it back, each of us, to our various homes, and now I was half way through the job of dragging it out of the car and into the house. That’s four times in one day. And did I mention there’s a whole PA system, too, with six speaker cabinets and heavy power amplifiers? Well, there is.

The band sounded kind of good this night. We have bumbled our way into a few gigs, and the extra playing time has sharpened our performance. I find myself turning to look in surprise and delight at the other guys when something, a transition or an ending or a complicated harmony happens just the way we’d rehearsed it.

The people are kind. They say “You guys are great!” They whistle and clap. Of course, they came to have a good time, they are all high in various ways, and they will enjoy themselves, no matter what we do.

But it’s not really a great band. No matter how hard we try, how long we practice, there is a frontier of “greatness” out there beyond the horizon, and really, we are just playing around the neighborhood, staying close to home, keeping our day jobs, our paychecks and medical insurance. Greatness demands a bigger commitment.

I complain privately about the flaws and the failings, but what we are doing is, we’re having great big rock’n’roll fun. At least I am. For those few hours when we’re on stage I’m as happy as I ever get. I stopped playing for money decades ago and only recently took it up again. But my attitude now is “I don’t need the money. I just want it to be offered.” Playing rock’n’roll with this band, any band, for real live people who are dancing and partying — I’d do that for free.

Moving all this equipment — that’s what I get paid for.

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A Price On My Head

Last night in my dream I put out a murder contract on myself.

The “broker” and I conducted the transaction in his office, a storefront with thrift store furnishings. I told him I wanted someone to kill me, and I gave him the money. Then, since it was early evening and I was at loose ends, I went by myself to a movie.

I have no memory at all of the movie, but by the time I left the theater it was full nighttime and I no longer wanted to die. I couldn’t find the storefront, so I headed home, keeping a close eye in the rear view mirror. After a while I decided I was being followed, and I was gripped with fear. Whoever it was, I thought, it would be a pro, and I wouldn’t have a chance.

Home turned out to be a second floor apartment that in real life I haven’t lived in for more than ten years. When I got to my door at the top of the stairs I was shaking so badly that I couldn’t fit the key in the slot. While I was fumbling, the outside door opened at the foot of the staircase. Terrified, I fell on my back near the top few steps. A broad-shouldered guy with handsome features stepped into the entryway. He was not the guy I had contracted with. He was the killer.

I could barely get out the words “I changed my mind — I really did…” He smiled in a friendly way and gestured for me to wait for him, then he went back out the door. Before I could recover enough to run, he came back in. This time he came up a few steps and snapped open a long, efficient-looking knife, no nonsense, with a simple bronze-colored metal handle, slightly corroded.

He said it was OK, he didn’t have to kill me if I didn’t want him to, but he had to cut something off me, a body part to show the broker that he had done the job. Otherwise he wouldn’t get paid. I asked what he wanted, and he said he usually cuts off the victim’s hand. Left or right, either would be fine.

I thought of not ever being able to play guitar again. I suggested an ear, but he said that wouldn’t be good enough because he needed a fingerprint. I tried for the little finger on my right hand, but he wanted an index finger if he couldn’t have the whole hand. Which one could I do without?

While I was trying to decide, the first big jet of the day took off from the nearby airport and woke me up.

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No Time No Way

I know what it’s like to have something creative inside and not be able to get it out.

Something like a song, a play, a sculpture, a comedy routine, a story.

You know it’s in there, you think maybe it’s “good,” you don’t know how good, but you know you’ve got it. You nurture it inside and it becomes who you are, secretly. You show a little of it sometimes, and that leads to your family and all your friends saying things like “That’s as good as anything on Broadway/TV/the radio/CD’s. You should write/sing/perform more. Go for it!!”

You’re momentarily flattered, but after all it’s your family and friends and they are obviously (and rightly) biased and might not be telling you the truth and they might not be qualified to judge such things anyway, so of course you don’t go for it, because you have to clean the garage, take out the garbage, work for a living (or find a job), get some food, score some drugs, find someone who’ll do you, and so on. There’s no TIME.

But there is time, and time goes on, and one day you look around and half your friends are drifting away in one way or another, and among the other half, half don’t want to know you any more and the other half are dead or as good as, and how long do you think you have remaining to produce anything worthwhile? You don’t know, so you promise yourself you’re going to buckle down and do something, create something while you’ve still got a chance, and by now you don’t even care if anybody likes it or if it gets on Broadway/TV/the radio/CD’s, because it’s like you’ve been pregnant longer than an elephant and it’s about god damned time for the blessed event!

You know what I mean?

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Cherchez La Femme

How many girl singers does it take to screw in a lightbulb?

Answer: Just one, because the whole world revolves around them.

On the small-time cover band level that I’m on, girl singers are a mixed blessing. True, they allow you to perform Sheryl Crowe songs and lots of other material not easily adaptable to being sung by guys. You have to face it — when you’re doing covers, sooner or later you’re bound to run into an audience that wants to hear something by Alanis Morisette. Naturally, you’d say no to that request under pretty much any circumstances, but what about Tracy Chapman or Fleetwood Mac? No matter how much pride you have in your musicianship or the integrity of your song selection, eventually you’ll at least have to consider such requests.

I stopped working with girl singers 30 years ago, not on purpose, but it just worked out that way. When I worked with them, they always arrived late, left early, and carried nothing but their own microphone and maybe a tambourine. On the road they always got their own room, while the rest of us shared. On stage, they were always the complete center of attention, even though musically everyone else in the band had equally important parts. During performances they could never hear enough of their own voice in the monitors. In those days we were lucky even to have monitors, much less separate monitor mixes, so we all had to listen mainly to her.

To be fair, some of them had great voices, some of them had great looks, some of them worked hard to front the band and entertain the people. Self-centered whiner that I am, though, I grew resentful of them. I had to learn an instrument in order to be in the band. I had to buy an instrument to be in the band. And when I sang, I still had to keep playing the guitar. So it didn’t seem fair to me that the girl didn’t have to bring anything to the table but her voice, which she was born with and — in most cases — was completely untrained. Then during the breaks people would say to her something like “You’ve got a good band,” as if somehow the band — and I — belonged to her or were taught how to play by her. In my bitterness I turned to strong drink.

Childish, I know.

So to penalize me now, at this late hour of my life, the universe has thrown another girl singer at me. It’s temporary — just for one show — but things don’t seem to have changed much. We only had time to rehearse with her once, and she arrived almost an hour late for a three-hour rehearsal, and she didn’t even bring a microphone or a tambourine. Then it turned out that she hadn’t had time to listen to the CD I made for her or look over the lyric sheets I gave her. All true to form as I remember it.

It will be fine, of course. We invited her to sing with us because we think she has a following around town from her extensive work in karaoke bars, and frankly, we need to put some butts in the seats. This compromise of my principles is nothing compared to what I would do for a chance to play with Aretha or Tina Turner or Linda Ronstadt.

Our girl didn’t knock my socks off at the rehearsal, but I can see she has the pipes, and nothing focuses you like an impending gig in front of a live audience. The show is Wednesday this week, and she’ll have a microphone, a tambouine and her own separate monitor mix. I expect she will practice her parts like crazy until then, and come out rockin’.

And then the whole world will revolve around her.

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Random Reporting and Ranting

During my blogging sabbatical, which seems to be coming to a close now, I have…

  • written and recorded a new song (details in previous post)
  • found a new bass player for my garage band
  • saved Tigger the Cat yet again from certain death (third time, give or take)
  • forced Tigger to wear the Cone of Humiliation for two weeks
  • bought and assembled the pieces of a new PA system
  • read a bunch of cheap detective stories.
  • reconnected with some musician friends from long ago
  • found out I must have two wisdom teeth pulled
  • found out my dentist wants me to make the appointment with the oral surgeon myself. This is adding insult to injury.
  • got absolutely nowhere trying to figure out Life and Death
  • started bringing my own reusable bags to the Farmer’s Market every Sunday morning
  • vowed to clean up thoroughly my spare bedroom/office/studio, and my garage (this will be an enormous project, and I haven’t started yet)
  • blah, blah, blah. It’s all about me on my blog, folks.

Instead of your wonderful blogs, I’ve been reading the web sites of the New York Times, Wall Street Journal, Washington Post, Financial Times and Rolling Stone. The conclusion I have reached is that there is no way to find out what’s really happening in the world. I know more about Chris Brown smacking his girlfriend and John and Kate Gosselin’s impending divorce than I do about the situation on the streets of Tehran or the President’s proposals for healthcare reform and financial services reform.

A lot of people are getting divorced. That’s not news. And, if you went back and looked at the Los Angeles police blotter for that night before the Grammy’s (if there were a police blotter in LA), you’d find numerous serious domestic assaults and maybe a couple of homicides. Not to make light of it, but Chris and Rhianna’s problems don’t amount to a hill of beans in this crazy world. I haven’t figured out yet if we are being fed this crap because we demand it, or if we are being fed this crap in a concerted effort to distract us from what’s really going on.

I thought the internet was going to democratize the news, make it impossible for the power elite to hide the ball, give us all an unvarnished look at the real goings on in the halls of power, here and abroad. But what we seem to have instead is a Disney-ized version of that. Oh sure, there are cell-phone videos of every police beating in the world, and the internet sure looks like we are seeing stuff we’re “not supposed” to see, but guess who owns the internet? Verizon, AT&T, General Electric, Rupert Murdoch — you know: the same guys who own everything else. Do you really think they’d let us find out anything truly important?

I’m watching MSNBC right now, a bunch of millionaires nodding knowingly at the polls which report that Americans overwhelmingly want a public option in any new healthcare system, and casually announcing that people wouldn’t want that if they knew how much their taxes would go up. Maybe we’re that stupid. Maybe we really haven’t realized that a public option has to be paid for somehow. Or maybe the well-heeled reporters know which side their bread is buttered on, and are simply shooting down the populist proposals they know their bosses in the corner offices won’t like.

How do we find out the truth? Sorry — can’t tell you.

But I can tell you this: You can’t have “life, liberty and the pursuit of happiness” if you can’t go to the doctor when you’re sick. We are not “providing for the common welfare” if we are not making healthcare available to everybody. I for one don’t care if my taxes go up, although it’s not certain taht they will. I don’t care if someone else gets more benefit from a universal healthcare program than I do. I don’t want anyone in the richest nation the world has ever known to have to choose between food and medicine. Most of all, I don’t care if healthcare corporations are forced to start making healing their first priority, instead of profit-making. I believe it is unconscionable that we are a nation divided into people who have enough money to get help when they are sick, and people who don’t. Republicans, blue-dog Democrats and big-bucks lobbyists, ask yourselves: Is this what you want to be remembered for at your funerals? That you fought for the rights of corporations over sick people?

If so, may those funerals begin soon, so the rest of us can get on with life!

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I Got A Thang For You

You can’t sleep.

You lie awake for what feels like hours before you finally lose consciousness, and even then you see her in your fevered dreams. In the daytime you are distracted, nervous. She keeps slipping into your thoughts. What would it be like? you wonder. You got a thing for her. An animal thing. You want to know what it smells like, that velvet skin on the back side of her knee. You want to touch that area with your tongue, and feel her shudder.

But she gives you nothing, just sweet innuendo and sexy texts.

So you get up in the morning, drink coffee, get dressed, and get on with it.

Call me, Gwyneth. I got a great big honkin’ thang for you, baby.

And a new song:

I got a thing for you, baby.
I got a great big lovin’ thing for you, baby.
I got a thing for you, baby.
Won’t you have a thing for me?

You make me think about love when I see you walking down the street.
My heartbeat is racing, baby can you feel the heat?
You do something to me.
I want to do something to you.
Listen to me, baby, I’m trying to get a message through.

I got a thing for you baby, blah, blah, blah.

If you want me, you want to please me.
Why do you taunt me? Why do you tease me?
You make me crazy!
I only want your… I only want your…
Heart!

You lied to me, baby, when you told me that I was the one.
You were playin’ with my heart and then going out and having fun.
Make up your mind tonight!
You could make everything all right.
Aw, listen to me, baby, I’m trying to get a message to you.

I got a thing for you baby, why don’t you have a thing for me?

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Dreaming Again

I can’t seem to write anything lately.

But I have so many variations on this dream, this feeling of loss and guilt and irreconcilable longing, I thought I’d post it again, to see if it helps. As always, my heart beats only for you.

Dream Lover

Originally posted in Dreams on January 25th, 2005

Last night Linda came to me in a dream.

I was at a race track, watching the ponies. There were people around, but no big crowd. It was broad daylight, hazy sun streaming through a stand of cypress. It felt like early morning, not racing time. The horses were warming up, training. In my waking life, I don’t go to race tracks.

I turned to the woman standing with me at the chain link fence. She looked at me and it was Linda. She gave me her sweet smile, the one that always melts my heart, her dark eyes downcast shyly. She pressed her side against my side, so the only place for my arm was around her shoulder. It felt OK there.

We made small talk, but I knew she was dead. I wanted to ask her why she left. I wanted to know if anything hurt. I wanted her to forgive me for…what? I wasn’t sure, but I needed forgiveness. I wanted to hold her, take her face in my hands, kiss her eyes.

She turned her head. I heard someone say You know she can’t be here.

A pack of horses thundered by. I rode one, and saw Linda, standing at the edge of the track. She was waving and calling to me, something I couldn’t hear. I’m sure she would forgive me, if I knew how to ask, if I knew my crime, if I could talk to her again.

But I rode away, around the turn.

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The Pleasures That May Await

In my dream I am reading a newspaper article by David Brooks.

David is talking about his lover, and how they have grown apart. His lover’s bright eyes, Brooks writes, have gone dim, and David is sad to admit that it is because their relationship has grown stale. David is losing interest, and this is reflected in his lover’s dimming eyes and loss of power.

The boyfriend is a force, a mentor to Brooks. They have made a life together, and the boyfriend’s calm assurance has influenced David’s life and made it better, but he needs to be nurtured to maintain his strength, and Brooks has found someone else, a handsome boy he barely knows and with whom he has become obsessed. He doesn’t know what it will be like to be with this new boy, but it’s all he can think about, and his needy lover makes him uncomfortable, guilty, and finally resentful.

Brooks pretends to nurture his old lover, and this brings him back to life, but it is a zombie life. The light in his eyes returns, only now it is not a confident guiding light, but a harsh, cold artificial light. It is too bright, and as his eyes gleam ever brighter, others notice and react with revulsion and fear. All he wants is for David to love him like he used to, and he is trying to act as if that is what’s happening, but he knows that what he has is unreal.

Meanwhile Brooks aches to see this boy and hold him, but there are so many obstacles: his work, his chores around their apartment and their busy social life. He can’t find time for a seduction.

He dreams of soft caresses that actually bring tears to his eyes, and of wanton, sweaty fucking. In his fantasy, there is a big hole in the middle, and that hole is all the things he doesn’t know about this boy: his education, his background, his political positions, his religion, his friends. But he is not interested in that, and he looks away from that empty place and toward the pleasures that may await.

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